![]() And he’s just wondering if the technology business is a natural area to allocate excess capital for the best return on equity for the company. I don’t know where this got cut off, but this is from. ![]() Sounds like…īecky, we can hear you over, someone’s brought a tablet over, and we can hear you over the tablet for the time being. We have a lot of questions that have come in for Charlie Munger, and we’re going to be getting to those questions as soon as we can get the audio fixed for this. Again, this is the Annual Meeting for the Daily Journal Shareholders Meeting. I don’t know in the control room if you guys have any ideas about what’s happening. It sounds like they’re not hearing, folks. And Charlie, just let me know when you do hear this. Maybe you guys can play me - I don’t know if there’s a Voice of God you could play to the floor there, but I’ll keep talking on the hopes that Charlie can pick up on this. Oh, can you hear me, Charlie? I’ll keep talking.ġ, 2, 3, 4, 5. Is the technology business a natural area to allocate excess capital for the best return on equity for the company? Now its fastest-growing subsidiary, Journal Technologies accounts for a large part of the company’s earnings. In the past year, you’ve in the past, you’ve described Daily Journal’s unique position of being a newspaper, which generated enough excess cash in the past to invest in an equity portfolio. The second question comes in, and it’s in regards to capital allocation. So I expect a lot of clarity on our long-term approach sometime later this year. I like the business and the potential for it. And what I can say now is that the parallels between the software company I built in and Journal Technologies are remarkable. And I had incomplete information at that time, and I thought it was important that I have the optionality to hire someone better suited or promote from within if we discover that be a better path.Īnd I founded and helped grow a geography software company with no background in publishing or the legal and court sector. Yes, I’ll say that when we were in discussions a year ago, I told Charlie that I was committed to ensure the success of the business, but that I wasn’t sure I would be the right long-term CEO. Well, the answer is Steve chose his own titles coming in and we’ll change whenever he wants to change it. How is he performing? And when will the decision be made on selecting a permanent CEO?” He says, “Can you give an update on the company’s new CEO, Steven Myhill-Jones? He was appointed as interim CEO nearly 1 year ago. The first question that we have comes from, and his question is related to Journal Technologies. But first of all, Charlie, thank you for taking the time today. We’ll go through as many of these questions as we can during the session. We got a great number of questions that came in, and I’ve tried to sort through as many as I could. We hope the reader will enjoy performing this chart as well as the bits of trivia above.įor approval to publically perform this chart please contact Cha-Bil publishingĪt Click here to see the first page of this chart.Steven, thank you very much, and welcome, everyone. Lyrics will be included in the shipment for completeness, but a vocalist should listen to the original recording for the notes and appropriate phrasing. Electric bass should be played with a fuzz-distortion effect to recreate the sound of bassist Dennis Johnson. It is preferable for the keyboard to use a Hammond B3 organ effect to duplicate keyboardist Phil Porter’s sound on the record. The organ run at letter D should be brought down in volume to enable the trumpet cascades to shine. Bands should rehearse this section well to ensure timing and phrases are cohesive. In the 4th and 5th measure of letter D, note the 2nd trumpet’s “E” is part of the lead trumpet’s run and that note should be played appropriately as part of that run. Timing, intonation and balance are critical for the proper effect. Performers should take note of how the cascades at letter D are arranged. Byron was with the band at both the beginning and end but never recorded on an album. Byron was an original member of the trumpet section and close friend of Bill. According to Kevin Seeley’s history of the CHASE band, the original demo recording of “Get It On” was recorded in trumpeter Byron Lingenfelter’s living room in Las Vegas. Special thanks to the UNC Jazz Press for taking on this project.ĬHASE’s “Get It On” was nominated for a Grammy award and stayed on Billboard’s top 40 charts for 13 weeks starting in May 1971. The Chase family and Cha-Bil publishing are pleased to publish “Get It On” from the CHASE library on the anniversary of Bill’s 80th birthday. ![]() Get It On - Bill Chase - Level 5 (4 Brass) Trumpet Combo - ( 4 Trumpets, Guitar, Organ, Bass, and Drum Set)
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